Best Austrian science fiction movies

The company soldier Hannah and the scientists Gavin and Dimitri are researching an algae project on board the Rubikon space station, which is supposed to permanently supply humanity with oxygen and food. But suddenly the earth disappears below them in a brown, toxic fog and all contact is broken off - are they the last survivors of humanity? Should they initiate the safe station, dare the return flight and thereby risk their lives?

Alice, a single mother who is more dedicated to her work as a genetic engineer than to her teenage son Joe, develops a new variety of flower that is supposed to have the ability to make its owner happy thanks to its special chemical properties.

A woman inexplicably finds herself cut off from all human contact when an invisible, unyielding wall suddenly surrounds the countryside. Accompanied by her loyal dog Lynx, she becomes immersed in a world untouched by civilization and ruled by the laws of nature.

A group of young bio-engineers discover they can use quantum physics to transfer motor-skills between human brains. Believing this to be a first step towards a new intellectual freedom, they freely distribute the technology. But as the mysterious past of one of their group is revealed, dark forces emerge that threaten to subvert this technology into a means of mass control. DxM takes the mind-bender thriller to the next level with an immersive narrative and breath-taking action.

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of empathy and of clairvoyance, such that could aid suicidal patients. After the war, with one friend as his manager and another as his lover, Schneider changes his name to Eric Jan Hanussen and goes to Berlin, as a hypnotist and clairvoyant performing in halls and theaters. He always speaks the truth, which brings him to the attention of powerful Nazis. He predicts their rise (good propaganda for them) and their violence (not so good). He's in pain and at risk. What is Hanussen's future?

Anton and Franz live together since the beginnings of 20th century. They talk about their difficulties of being vampires, since their first bite in 1938. Their inconsistent arguments recall those of normal human beings. And history repeat itself. As if that were not enough, they also doesn`t really like each other much.

A long time ago, the so-called "Google Wars" engulfed the whole world in a deadly chain reaction. Civilization came to a grinding halt. But there is still hope. This is the story of a new beginning...

A mad scientist creates a hideous monster to carry out his murderous plans...

skateboarding

Anna, an artist, is obsessed with the invasion of alien doubles bent on total destruction. Her schizophrenia is reflected in the juxtapositions of long movie camera takes with violently edited montages: private with public spaces; black & white with colour, still photographs with video, earsplitting sounds with disruptive camera angles. Anna uses her body like a map; after a devastating quarrel with her lover, she paints red stitches on herself. Watching their scenes together, we realize how seldom, if ever before, the details of sexual intimacy have been shown in film from the point of view from a woman. Export privileges rupture over unity and never settles for one-dimensional solutions

Rob, a worn out robot with a corrupt memory, drowns his sorrows of his 'screwed' existence in alcohol and asks himself the essential question: what did he do wrong? He needs to remember...

It is the year 2000 and the World Global Union is in charge, although other countries are allowed to elect their own government leaders, as long as they support the Union. When Austria's newly-elected president, played by Josef Meinrad, makes his inauguration speech he declares Austria independence and issues an edict ending Austria's financial support for the Global Union.

The story of the love between a female robot named Ainoa that discovers how valuable and precious life is and the young resistance fighter Yuri. Thanks to his love of Ainoa he overcomes his fanaticism and, like her, becomes human.

The film is set in the near future, in a world of perfect capitalism. Society is sustained by a class of top achievers; meanwhile, so-called minimum recipients live under sedation in Fortresses of Sleep. The great majority of top achievers view themselves as happy. An outsourced agency has been established for the rest: Life Guidance is charged with turning these individuals into optimal people as well. Alexander has internalized the system but one wrong word to his child triggers Life Guidance. He starts to rebel and encounters the horror of the system in all its brightness and affability.

The short film project "Regrets of the Past" was realized by a team of local filmmakers whose goal it was to create a high-quality sci-fi movie in Austria, based within the Star Wars universe. The crew diligently focused on the visual language of the film which tries to adhere as closely as possible to the original trilogy developed by George Lucas in the 1970s. The story is set after the events that led to the inception of the Galactic Empire (Star Wars - Episode III) and follows the fate of two fugitive Jedi knights. Pursued by a bounty hunter, Pash Sularen and his Padawan Kaila Dain crash on a remote plant and are confronted with their past. Principal photography took place in Austria from 2013 through 2015, followed by one year of post production. The crew of 150 consisted mainly of working professionals in the Austrian film industry who supported the project in their spare time.

In the year 2700, a comic book artist encounters a mysterious alien while seeking revenge against the pyromaniac who burned down her printing presses.

The sun blazes down from the sky with destructive power; exposing oneself to its light means death. People have transposed everyday existence to the night. In the metropolis of HALF WORLD a culture based on various languages and lifeforms has grown rampant. Everyone is looking for a way to survive.

After an update, a robotic personal assistant will now complete any request. But the robot can't always tell what's sincere and what's a joke.

A man rescues a boy and later tries to get him off his back but to little avail, so they end up drifting around a subterranean world, populated by grotesque masked figures. A hundred years after Chaplin filmed his first feature film, The Kid, Norbert Pfaffenbichler offers an experimental punk-style interpretation, which the filmmaker himself has defined as a dystopian slapstick film.

In a city of the future, man has triumphed over nature and at the same time destroyed the environment. In the highly mechanized cities, all goods and services are equally available for everybody. Each person recieves an "energy chip" on their 16th birthday which serves to pay for everything: Food as well as transportation, bar visits and other leisure pastimes. When an energy account is used up, the person must die. The "executors" take care of this...

A colony trying to regain the suddenly terminated lines of connection to the earth that now threatens their existence.

Sometime, hopefully not too soon, in a place wherever but not here, all life will have moved underground after a failed uprising. Everybody wears a mask, more often than not of the variety seen only at Halloween these days. In this scary universe (that on closer inspection looks like a twisted, perverted version of our here and now...), a man with a gorilla mask is searching for a little boy with a hessian hood. His quest leads him into a maze of depravity, a pandemonium of all our nightmares and darkest desires – where something awaits that he had already given up on: love.

When 13-year-old Lena tragically loses her mother, she must be strong and care for the newborn. Her father is no help. His grief for his deceased wife has a firm grip on him. Only when he hears about a parasitic fungus that enables communication with the dead does he regain his courage. Lena can't make sense of it. She believes the whole thing is pure fantasy. But then she begins to have visions that make it almost impossible for her to distinguish between reality and illusion.

Based on Samuel R. Delany’s short novel ‘Aye, and Gomorrah...’, where the sci-fi premise of radiation-resistant state-neutered space travellers allows the author to explore androgyny, sexual identity, etc. Hammel uses Delany’s story to create a spookily beautiful world where asexual bodies live in the contradiction between their unarousable loneliness and desire for intimacy and contact.

In 1995, a young computer specialist is working on the development of "reality-based simulation programs," which he uses to "extrapolate" the face of a criminal who kidnapped him and his sister 20 years ago and killed his sister. When he meets a young makeup artist who is searching for her missing father, it becomes clear that they are both looking for the same man.

When fear no longer exists, Bobby is here to provide you with some primal instinct. In a our real world, which is always in turmoil, we take drugs to gain relief and peace. But in this fictional world of total peace, we take drugs to experience turmoil, so we can be more human again.

The hero is an astronaut who has fallen from the heavens; afflicted by nightmares, he vegetates in his hospital room until an aged, sexless humanity needs him again...