Best Swiss fantasy series

Recently separated, top neurologist Dr. Valérie Rossier moves back to her ancestral home with her son Lucas, and takes a position in an exclusive clinic run by her former teacher, Professor Wassermann. As she settles into her new life, strange occurrences conspire to reveal her true heritage, as well as her family's tragic history.

In 2003, musician Markus still has big dreams. He stands in for his hoarse sister Eva at the MusicStar casting. His performance fails completely and from then on his life is paved with failures, bad luck and mishaps. When, on his fortieth birthday, he is given the opportunity to contact his younger self by text message, he suddenly sees this as a chance to change his previously botched life and become a star. As he tries to make himself a star, he erases true love from his life.

Sial IV is a Swiss television miniseries by Greek filmmaker and writer Adonis Kyrou, adapted from the speculative fiction novel Deadly Image (AKA The Uncertain Midnight) by British author Edmund Cooper. It tells the story of Denis Lange (Henri Gilabert), a fallout shelter engineer who is accidentally trapped in suspended animation as war breaks out in 1970, only to awaken in the early 2100s in Sial IV, an underground city in which humankind lives a life of leisure, having discharged all responsibility to androids. Assigned the android Diana as his personal assistant, Denis ventures through this unsettling idyll, eventually finding a small but tenacious group of resistors who seek to uncover the truth about the compound and its ruler, the mysterious Machiavelli.

After a police raid turns into a bloodbath, the corpses of pontifical Swiss guards are found in a basement. As evidence is being discretely disposed of, a night watchman sets the world on the path to hell. Four spectral horsemen start leaving a trail of terror and destruction in their wake. The horsemen of the apocalypse metaphor is a way for the creators to invite the audience to think about the necessity of a paradigm shift. In this story, the media, such as the radio and television, never speak of ghost-like monsters but focus instead on insane politicians and almighty bankers – in other words, demons of the collective imagination for the modern world.