Best Venezuelan family movies

Two sides of the same country: a chaotic and violent city contrasting against a natural paradise where the oldest mountains on the planet can be found. Two main characters that find each other at a crucial moment. Two fearless journeys, one that begins as a childlike adventure and ends up on the other side of the country and a one-way journey, free and determined. The same destiny will inevitably bond a woman with her grandson. Without knowing it they are part of an unbreakable family circle that deeply unites them. Second opportunities will arise while individual freedom of choice will become imposing. Everything comes together to tell us: there is only one destiny, the one you choose for yourself.

The Blue Apple Tree, is a Venezuelan film starring Diego, a city boy about 11 years, marked by serious emotional deprivation, which is forced to spend a holiday with his grandfather Francis (Miguel Angel Landa), who barely knows him, on a small farm in the mountains of the Venezuelan Andes.

Renato is a grandfather enthusiastically, with a weak and sick body that holds prisoner in his own home, on top of a mountain, from where views of the sea, both longs and dreams of return. Renato has three children to know their real needs and make decisions for him without asking: Montserrat, who has for caring setting aside their own interests and wants to resume his life. Anita, the second daughter, accidentally pregnant at 45, disillusioned and marriage in crisis, so focused on their personal problems, that does not perceive those of others, not even his own daughter. And Salvador, the youngest son, who by being tied to the tragic memory of the death of his mother, lives in an eternal present evasion.

Pepiwe (played by Jose Gregorio Payema) is a Yanomami boy living in a Catholic mission. After getting into an argument with his teacher about the name of his river (she says Rio Siapa; he calls it Periquitos), Pepiwe decides to return to the jungle to look for his family. He paddles down the Orinoco with his dog and parrot, and during a stopover on land he meets yet another nun (Flor Núñez), but not one from his mission. She pays the boy to show him the way to San Carlos de Rio Negro (by the Colombian border). He reluctantly agrees, but after a day's journey the nun tries to sneak away and loses the canoe.

Cesar and Maria wander around the city like strangers, but are still able to recognize each other through the pain in a short glance, shaped by the violence that has changed their lives.

Victor, a middle-class child, escapes from his home in search of his father; after multiple crossings find it where you least expect, with the help of two small living on the street.