Best Icelandic music movies

A young girl in 1990s Iceland is caught between the life that took her brother and her own inability to strike out on her own. In her grief, she finds solace in metal and dreams of making her own music.

Ethereal post-rock pioneers Sigur Rós play a string of impromptu gigs in their native Iceland after finishing a world tour in 2006. As they travel through the country, the band visits a wide variety of venues, from a large outdoor festival to a coffee shop.

Following the career of Björk, this documentary looks at her early musical career with local icelandic bands, her acclaimed stint in The Sugarcubes, and her massive success as a free-spirited solo artist.

Robbie Rotten, the primary antagonist of LazyTown, attempts to teach his "dream team" of villainous accomplices how to successfully catch a superhero, specifically Sportacus.

A film by Baldvin Z & Ólafur Arnalds Island Songs is a unique audio-visual portrait of my home country, Iceland. In 2016 I travelled to 7 towns across Iceland and collaborated with 7 local artists to create, record and perform a new composition. For 7 weeks we released a brand new song and live video every Monday. Alongside the performances we made this film, Island Songs, where we explore what makes these artists tick, the influence the country has had on their lives and try to show a different side of this island we all call home.

A documentary about the bustling Icelandic musical scene. This documentary covers some of Iceland's most talented and well-known musicians.

WHEN WE ARE BORN is a unique live performance film that tells a touching and thoroughly human story based in part on Ólafur’s life. Filmed on location in Iceland in summer 2020, it features the contributions of an unparalleled creative collective including ground-breaking choreographer Erna Ómarsdóttir, the Iceland Dance Company and cinematographer Thor Eliasson. The music in the film builds upon Ólafur’s critically praised new album ‘some kind of peace’ and was performed and recorded live on set, representing a constant cinematic conversation between picture and music. Vincent Moon’s intimate cinematic vision brings this layered metaphorical world to life as we see Ólafur’s music manifested and symbolised all around him through set design, lighting and dance. Through themes of rituals, relationships and exploration of our inner landscapes, this is a film focused on how we all move forward.

Two rock groups, one male, the other female, decide to do a combined effort to hit the road of stardom by doing a show together. As the show is getting on the road, the lead singers of the two groups have a disagreement which brings about a parting of ways, in love as in life. A historic tour of the country begins, which through the music and performances of the two groups as well as the reactions of their audiences, reveals, beneath the comedy, glimpses of today's real competition between the sexes, seen against the background of Icelandic life.

Mæja strawberry fruit basket, but cleaner, Red Apple keeps everything neat and tidy, green banana, but the left is right. IMMI pineapple but most offer themselves waiting to crown replaced with the message so he can crowned himself king. Eva orange but not over water reflection, and Suss in Poland and insect lamps have become even more pranksters than before. Goofy banana and green banana continue to march across Ávaxtakörfuna and not lose the rhythm. Gedda carrot is always happy, despite adversity and argues that there is nothing more natural than a vegetable farm in the fruit basket.

A troubled teenage girl feels trapped her small town in Iceland. Will she find a way out?

The Pirate of Love is an animated documentary about an outsider musician, Daniel C.

It follows the band Of Monsters and Men as they commemorate the 10th anniversary of their groundbreaking debut album My Head Is An Animal.

Tíu is a glorious journey through sight and sound into the world of the multi-platinum Icelandic band Of Monsters and Men, as they commemorate the 10th anniversary of their groundbreaking debut album My Head Is An Animal.

Rokk í Reykjavík (Rock in Reykjavik) gives a thorough overview of the powerful and expanding rock scene in Iceland. Most of the film consists of performances by a wide variety of rock-groups in various clubs in Reykjavik in 1981-82. There are also interviews with members of the groups representing different views on such features of the rock scene as sex, drugs and politics. 19 groups appear in the film.

More than twenty years after the premiere of one of the most beloved Icelandic films (On Top/Med allt a hreinu 1982) a sequel appears. A band which folded twenty years ago (they were even considered old-fashioned then) sees fit to stage a comeback. Indications point to a great future until the ghosts of the past catch up with the band in the form of a single mother and a jolly roadie. We follow the band not only through the magnificent Icelandic landscape but also through two continents and a brief spell in the other world.

Popp í Reykjavík (Pop in Reykjavik) is a film about the vibrant Icelandic music culture of the late '90s. It was released in 1998 and features interviews and concert footage of promising Icelandic bands like Gusgus, Bellatrix, Maus, Ensími, Quarashi, Botnleðja and Sigur Rós.

The actress is to produce a play with the local amateur group and old romantic flames are rekindled. At the same time an American army unit is making experiments with a new and powerful energy source in the vicinity, promising the community a prosperous future.

A pop opera with a moralistic undertone.