Best African animation movies

A half-striped zebra is blamed for the drought and leaves his herd in search of his missing stripes. He is joined on his quest by an overprotective wildebeest and a flamboyant ostrich; they defeat the tyrannical leopard and save his herd.

After his best friend is killed in a shark attack, Quinn, a lovable yet tenacious seal assembles a SEAL TEAM to fight back against a gang of sharks overtaking the neighborhood. But this merry band of international seals are not at all trained for such a mission. They seek the help of a much more skillful combatant, Claggart, but even his tricks and flips can’t whip these guys into shape. However, with a little bit of ingenuity, intelligence and a lot of heart, our SEAL TEAM may actually be able to bring peace back to their undersea community.

The Jungle Beat animals think it’s the best thing ever when an alien arrives in the jungle bringing with him the power of speech. They also surprisingly think it’s the best thing ever when they find out that he’s been sent to conquer them.

This is an alien invasion film like no other – the aliens are miniature but still want to take over the world!

Upon learning that Judah has been trapped in the clutches of the townspeople and faces the possibility of being the sacrifice at the annual Festival, the stable mates leave their cozy barn and embark on an adventure to find and free their friend.

A young meek boy, Manzini is bullied by three boys on his way back from school in an incident that almost costs him his life. Manzini confesses to his Gogo his desire to quit school. His Gogo narrates a profound tale of resilience evoking the coming-of-age story of a great warrior and King, Shaka Zulu to inspire her grandson through the strength of his lineage.

​Black Barbie is a spoken/poetry animation that explores the filmmaker's experience with skin bleaching. The film explores issues of colorism and self image.

Osas and her friends are in traffic at Falomo when Aunty Yuwa calls. The conversation that follows touches on family, religion, social identities and same sex relationships. Created by Opemipo Aikomo and Daniel Orubo.

With a light-hearted look, an exploration of daily-life situations through four popular childhood games in Egyptian culture that stand the test of time.

The effects of cancer and its subsequent treatments on an individual, and his family.

An exploration into the insatiable greed of the African leader and the cost of betrayal. Against a backdrop of neocolonialism, we see the illusion of power, corruption that festers behind closed doors, and the silent suffering of a people forgotten by those meant to lead them.

The story of the Arab knight Muhammad Bin Qasim Al-Thaqafi who rescued many women and children from pirates in the Indian Ocean. He entered a fierce war against King Dahr who was sharing the spoils with the pirates, with the help of his friend Ziad and his mentor Abu Al-Asud.

In a household where meal times are a delightful feast full of bonding, fellowship and good eating, 3 members of this tight-knit family are diagnosed with Diabetes Mellitus.

As they sit across from one another at a coffee shop table, a young couple takes to the tablecloth and journeys through their own individual worlds to reach each other.

About the loss of a mother, with her unexpected exuberance, but who also cries Puccini melodies. A short poetic collage, as fleeting as the blink of an eye, where sounds and images are superimposed to evoke the at once peaceful and tormented memory of a mother.

Three generations of Moroccan women exchange feelings and anecdotes while preparing the traditional ceremony of Eid Al Adha.

Religious fascism and military fascism are interrelated.

Dodgy Links a about a gullible and not so internet savvy office employee who falls for the very common spam pop-up of "you are the lucky 999 999th visitor on this website!". The consequence of this, however, is quite different for this unlucky circular thing.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

Nawara, a stable girl and outcast from society, crashes an elite coming-of-age ceremony and demands her own destiny scroll from the all-knowing Oracle. Amused by her courage, the Oracle gives her a scroll, but later Nawara discovers the scroll is blank. Furious, she sets off on a perilous journey through the wilderness to confront the Oracle but discovers that she is not the only one hunting him down. Nawara must defeat sinister forces and her own dark past to find her destiny.

This short film is a story of love between a wooden man and stove child.

This lavishly embellished, comically operetta CGI fantasy story takes place in the Indian Ocean, where a flock of “piranha birds” has settled on the back of an octopus. When an octopus is starved, it feeds on birds on its back, but because it is already threatened with extinction, they decide to send a bottle across the sea with a call for help.

One night, a female bird heads into a bar determined to find love. Outwardly she seems to be incredibly outgoing and popular, everyone seems to want to get her attention, but underneath there is a dark layer of insecurity. A muscled seagull and a majestic peacock both catch her eye and she thinks that one of them might be the one, however upon interacting with them, she realises that there is more than good looks and charm. This eventually drives her to confront her own insecurities.

" ... Bennani's mother, a real-life pharmacist and pathologist, also plays one here on the CAPS. Her own mother's 80th birthday is the occasion for the titular party, at which she will debut a youthful new look, the product of an extensive rejuvenation procedure ... Shot in the artist's home city of Rabat, Morocco, the 30-minute video channel-surfs between pirate frequencies, surveillance footage, and documentation of the raucous celebration. We spend time with the party’s MC-for-hire as he slurps harira, flips off a trooper, and dispenses a longish musical interlude about a food vendor who once invoked his ire. Eventually, we land on the nightmarish, static-riven eyes and mouth of ZIP, a user interface promising an illicit escape from the CAPS, suggesting we "sign the lease" on a new body in Florida." — Maxwell Paparella (Screen Slate)

Hamada a drunk guy who's trying to be sober

Sobriety, Obesity and Growing Old picks up the narrative and themes begun in Kentridge's first film, Johannesburg the Second Greatest City after Paris, and follows the development of the relationships between his cast of invented characters, Soho Eckstein, his wife and her lover, Felix Teitelbaum. These relationships reflect, metaphorically, the changing political situation in South Africa at the time the film was made. Demonstrations and marches in opposition to the apartheid régime together with the governmental relaxation of most of the State of Emergency regulations and restrictions heralded the beginning of a change in the country's power structure (and white attitudes towards black African rights). Soho, a symbol of South African white power, develops the capacity for awareness, longing and love and the potential for guilt and repentance.

History of the Main Complaint is the sixth film [of a] series and is based on twenty-one drawings. It was made shortly after the establishment in South Africa of the Truth and Reconciliation Commission, headed by Archbishop Desmond Tutu. It was set up to conduct a series of public hearings into abuses of human rights perpetrated during the apartheid era. The hearings, in which individuals told their stories of personal suffering, were held in order to make reparation for abuse and in the hope of creating reconciliation between peoples. The underlying theme of this film is a (self) recognition of white responsibility. This is played out through a 'medical' investigation into the body of Soho Eckstein, the white property-developing magnate and greedy-capitalist protagonist of most of the preceding films, which provides the starting point for a revelation of conscience. (tate.org.uk)

A full CGI commercial produced for Sharjah Book Authority for publishing to visualize how they might not write books, but they handle everything else that is book related.

A journey into the mines provides a visual representation of a journey into the conscience of Kentridge's invented character, Soho Eckstein, the white South African property owner who exploits the resources of land and black human labour which are under his domain. Throughout the film the imagery shifts between the geological landscape underground inhabited by innumerable black miners and Soho's world of white luxury above ground. When Soho, breakfasting in bed, pushes down the plunger of his cafetière, its movement is transformed into a rapid descent through the tray, through the bed and into the mine-shaft. Here the miners' world of overwhelming misery is depicted in claustrophobic tunnels where they are trapped digging, drilling and sleeping, embedded in rock. Above ground, Soho sits at his desk in his customary pin-stripe suit and punches adding machines and cash registers, creating a flow of gold bars, exhausted miners, blasted landscapes and blocks of uniform housing.

William Kentridge’s ironic tribute to his hometown, animated on the basis of 25 drawings, is the first film of his “Drawing for Protection” cycle, in which he unfolds the triangle between Johannesburg building tycoon Soho Eckstein, his wife, and the dreamer Felix Teitelbaum. In this film he introduces the central characters of his meta-narrative which, located in a South Africa of the last days of a crumbling Apartheid, becomes an allegorical reflection on socio-political power relations.

Whilst working on "the great South African novel," an unemployed writer gets caught up in the harsh realities of life in the city of Johannesburg.

Hypno the sandman tries to fulfill his nocturnal tasks by putting people to sleep. However, this is hampered by a very determined coder who has to stay awake to meet a deadline. Hypno tries in vain to put the coder to sleep, but just as he wants to give up, he succeeds in an unexpected way.

Black and white film featuring Mish Mish Effendi, commissioned by the Royal Automobile Club against the misuse of horns.

A precocious, self absorbed little girl finds herself in wildly unfamiliar territory. There, she encounters a band of highly unusual characters who change the course of her destiny.

Bru and Boegie need to think big to get people to watch their shorts online, so they make South Africa's first full-length 2D animated movie.

(Masoud) and (Keshta) pickpocket, before deciding to repent and start a new life amid the inhabitants of the tin hut, to surprise the residents of the estate Abu Shama, who aspires to seize their land to establish some of his projects, and offers them to leave each of their land for a small amount of money , To reject the inhabitants of the tin hut, and escalating events.

First film by Ihab Shaker, Egyptian pioneer of animation. A man attempts to open a bottle.

One, Two, Three is a collection of three vignettes, entitled “The Shower,” “The Bird” and “The Machine.” They each place a doughy, confused man into a frustrating situation.